Morgen Christie is a self-described time-specific artist. Her work utilises time-based media such as video and sound, while focusing on historical timelines of the past. The significance of the technology of her medium like projection and light relates to ancient traditions of smoke signals and vision quests.

She is reclaiming her ancestry. Some mythologies are more apparent to her than others. The myth she personifies the most, is the futuristic artisan within 18th-century Pennsylvania. The historical context at times appears similar to science fiction than fact.

Morgen maintains the classification of “other.” She utilises race, culture, and memory to create socially charged work, which she sees as truth telling. Her truth lies in observation and fact collecting. Mostly, of how her world changes when she comes home at night to her studio of reconciliation.

Morgen created a memorial of Hannah Freeman or Indian Hannah. She was believed to be the last Delaware Indian living in Pennsylvania in the 18th-century. A virtual studio or website developed research into Hannah’s life. Not only did it prove that she was not the last, but that the colonists were insurrectioning a land grab. A treaty stated as long as one Delaware Indian lived on that land, it would always belong to its people. Hannah died in 1802. The land was taken by 1803.